Esperanza Bey is a 2nd-year MLIS student on the Archival Studies track and is also obtaining her certification in Digital Humanities. Her formal background is in Art History and recently served as a resident Community Archivist for EastSide Art Alliance’s Community Archival Resource Project (CARP). She is published in contemporary artist Sanford Biggers most recent exhibition catalog, Sanford Biggers: Codeswitch (2020). She is especially interested in Black Feminist theory, digital mapping and critical archival pedagogy that will inform liberatory world-making. She is currently interning at Visual Communications community archive in Little Tokyo
An unordered list of me:
Aries
Archivist
Memory worker
Community worker
Womanist
Researcher
A question on my mind: How can I survive the quarter system?
A commitment:
I seek to engage in liberatory memory work.
A DH curiosity:
How can Digital Humanities inform liberatory world-making?
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